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In my practice, I employ digital technology to theorize the technological opportunity to push the collaboration between natural and robotic, as a conduit for information, to automate ecological systems, and to visualize the surreal. I often work closely with microcontrollers or aquarium equipment to create self-propelling systems in which to observe or experiment. The subject matter within these spaces has included fungal and plant life; I have chosen to include these lifeforms in the work, due to how humans misunderstand and manipulate their forms for our benefit. Although, by the act of creating work using their bodies, I may be doing the very thing I am speaking against. My engagements between the human hand, technology, and the world beyond the human are intended to find communion in the function of the organic and the rigid, but may not always serve this purpose.
Web as We 2, agar, 3D printed ceramic, microbial life, glass, sand, 14" H x 9" L, 2025
Pnuema Schematic, digital illustration, 2025
The Current (close-up), 3D printed ceramic, glaze, sand, 5’ W x 1’ H X 5” L, 2025
Pnuema, blown glass, agar, plastic tubing, microcontroller, air pump, air valve, polyurethane foam, paint, wood, mesh, metal vents, 3’ W x 3’ H x 3’ L, 2025
Installation shot
Pnuema (close up), 3D printed ceramic, glaze, sand, 5’ W x 1’ H X 5” L, 2025